Yonatan Gat

Yonatan Gat is a genre all to his own. His new opus, Universalists, out May 4th on Joyful Noise in US and Glitterbeat in Europe, sees the New York experimental composer refining his skills not only as guitarist and bandleader, but also as a producer. His followup to 2015's acclaimed Director sees Gat experimenting with splicing live-to-tape recordings of his live trio in ways that draw from everything between contemporary avant-garde to electric era Miles Davis to Brazilian experimentalists Os Mutantes (with which Yonatan recently released a split 7",) pushing the envelope in ways that only a few can.

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The Coathangers

In their thirteen years of existence, Atlanta’s tireless garage punks The Coathangers have cranked out five full-lengths and well over a dozen singles, splits, and EPs. Considering the band’s initial aspirations to merely hang out and play a few house parties, their relentless touring schedule is perhaps the greatest testament to the lasting power of their scrappy hook-laden records and the infectious energy radiating from their live shows.

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Shannon and the Clams

Over the last decade, Shannon and her chief collaborator, guitarist Cody Blanchard, have released four albums of 60s-inspired pop on indie labels, toured tirelessly and have gradually solidified a lineup of devoted Bay Area musicians, Nate Mahan on drums and Will Sprott on keyboards. In this current iteration, Shannon & The Clams have developed notoriety for lively and genuine stage performances and a zealous following that craves their particular authenticity and innovation on classic sounds.

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The Octopus Project

The Octopus Project has been releasing joyous party music since 2002, following a musical path that veers through blown-out rock’n’roll, vibrant electronics, surreal pop and expansive psych landscapes.

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Shout Out Out Out Out

It is not uncommon for a band to be a product of their environment, but Shout Out Out Out Out is certainly a group as rich in paradox and contrast as the 780 area code. Edmonton is about as remote an outpost of a major city as you'll find anywhere in Canada, yet close to a million people choose to live there. Why would anyone choose to live there? Why would anyone choose to base a band there? Maybe it's because it takes a band like Shout Out Out Out Out to embrace their surroundings and use these harsh realities as motivation to actually do something, and to realize that if you're going to try to do something in Edmonton, there is no point in doing it halfway.

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Terra Lightfoot

With New Mistakes, Canada’s Terra Lightfoot offers up something rare: the kind of genuine document that can only come from a road-tested breed of songwriter and performer. Shot through with the guitarist-vocalist’s powerful, bluesy soul, vivid lyrics and ferocious six-string virtuosity, it’s an unforgettable outing.

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Efrim Manuel Menuck

born 1970 in Montreal, Quebec.
son of a doctor and a nurse.
mother left in 1973.
came back briefly 17 years later,
and then left again.
hebrew day school from grades 1 through 9.
kept kosher
but did not believe in god.

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The Courtneys

The Courtneys drift back to the sound of the early '90s, drawing from strong influences including Teenage Fanclub, Pavement, Eddy Current Suppression Ring, and The Clean. Courtney Loove's dreamy guitar riffs add a timeless powerpop element to the punk backbone formed by Sydney Koke's driving basslines, while drummer/lead singer Jen Twynn Payne delivers heartfelt lyrics with a powerful vocal style. These components come together through a passionate collaborative songwriting process to deliver a special blend of fuzzy "artisanal grunge".

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Bison

Vancouver metal veterans BISON are making a devastating return with their brand new album titled “You Are Not The Ocean You Are The Patient”; already a serious contender for the “album title of the year” award. After 2012’s Lovelessness, the four-piece’s last album for Metal Blade Records, the band was joined by Shane Clark on bass, former lead guitarist of 3 INCHES OF BLOOD. The EP „1000 Needles“, released in 2014, already hinted at what to expect from their 5th full length album: a thundering opus of epic filth and splendor.

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Little Destroyer

Like blaring synth across the ruins of some dystopian landscape, LITTLE DESTROYER rebel against the quiet with heavy electronics, guitars and dissonant grunge pop anthems. Catchy, loud and energetic as hell, this three-piece will either leave you thrashing, dancing or simply standing in awe.

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Kitty and the Rooster

Kitty & The Rooster is a rock n’ roll duo from Vancouver, BC featuring Jodie Ponto on the stand-up cocktail drumkit and Noah Walker on electric guitar. They are known for their surf-tastic hooks, clever lyrics, and ridiculously fun shows.

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Close Talker

Close Talker is the exalted indie rock trio from Saskatoon, Canada. Formed in 2012, the band has made great strides in a short period of time: two releases, numerous tours throughout North America, Europe, and the UK, and international attention from revered and critically acclaimed blogs and publications. Close Talker is a band born and raised in the Canadian prairies, made up of childhood friends Will Quiring, Matthew Kopperud, and Christopher Morien. Since becoming a trio in the summer of 2015, the band has now honed their craft, creating a more vast and iconic sound that is turning heads and drawing crowds around the world.

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Sleepy Gonzales

Sleepy Gonzales is an independent original four-piece indie rock/folk band from BC. Through our music and live performance, we strive to connect with our audience by leaving everything on the stage.

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Chron Goblin

From the dusty coulees of Alberta’s Badlands to the jagged peaks of the snow-capped Rockies, the musical entity known as Chron Goblin is a true force of nature.

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The Suppliers

It's been a hot little minute since The Suppliers graced the stage but back they come, full force, fast and heavy. Motörhead meets Blondie in a rock cacophony; their stage show is as energetic as it is loud. With a new record on the horizon be prepared for some ripping new tunes and antics to boot.

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Hattie

Hattie’s is as much a meditation on the heartbreak of growing up, and out, of our concrete youth, as it is a spaghetti western made by a wigged-out auteur director on psychedelics.

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